The Camera Was Never Really About the Picture
The camera never taught me how to see. It simply gave me a way to share what I’d been noticing all along.
Even as a child, I found myself quietly watching the world around me. I’ve always been curious about what lives beneath the surface. What is someone really feeling? What has a place witnessed? What stories are sitting right in front of us that most people walk past without ever noticing?
When I picked up a camera, I realized it wasn’t changing the way I saw the world.
It was giving me a way to share it.
Whether I was photographing a person, a horse, or an old tree beside an Appalachian creek, I found myself asking the same question.
What’s the story here?
Not just the obvious story. The one underneath it.
When I photographed people, I wasn’t looking for a perfect smile. I wanted to capture something that felt true to who they were. I wanted someone who loved them to look at that photograph years later and say, “That’s exactly them.”
I realize now that I do the same thing when I walk through the woods.
I wonder how long a tree has stood there. I wonder how many seasons a creek has watched come and go. I pick up an old piece of glass or a stone and wonder who might have held it before me. I notice the things that are easy to step over, walk past, or dismiss as ordinary.
The camera has always been a way of listening.
Looking back, I can see that my energy work comes from much the same place.
When I work with a person or connect with an animal, I’m not beginning with an answer. I begin by paying attention. I listen. I notice. I stay curious about what might be there that isn’t obvious at first.
Maybe that’s why the photography, the art, the intuitive work, and my connection to this land have never felt separate to me. They all ask the same thing of me.
Pay attention.
The Appalachian hills have been teaching me that for most of my life. The things that matter don’t always announce themselves. Sometimes you have to slow down long enough to notice them.
Whether I’m holding a camera, creating something with my hands, walking beside the creek, or doing energy work, I think I’m still doing what I’ve always done.
I’m looking a little closer.
Because sometimes the most meaningful things are the ones that were there all along, quietly waiting to be noticed.